Partitions Numériques de I See You pour Ensemble de Violons

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I See You
Non classifié 759

Piano & claviers
Piano, Voix et Guitare 920
Piano seul 465
Instruments en Do 400
Piano, Voix 374
Piano Facile 185

Orgue 20
1 Piano, 4 mains 12
Piano grosses notes 8
Accordéon 3
2 Pianos, 4 mains 3
Piano Trio: piano, violon, violoncelle 2
Accompagnement Piano 2
2 Pianos, 8 mains 1
Piano (partie séparée) 1

+ 9 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 136
Guitare notes et tablatures 89
Guitare 41
Ukulele 21
Paroles et Accords 12

Basse electrique 8
2 Guitares (duo) 6
3 Guitares (trio) 5
4 Guitares (Quatuor) 3
Guitare (partie séparée) 3
Banjo 3
Mandoline 2
Piano, Guitare (duo) 1

+ 8 instrumentations

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Voix
Chorale SATB 225
Chorale 3 parties 84
Chorale 2 parties 40
Chorale SSAA 26
Chorale TTBB 25

Voix duo 14
Voix duo, Piano 13
Chorale 12
Voix haute 10
Chorale Unison 9
Voix seule 7
Voix Alto, Piano 6
Voix Soprano, Piano 3
Voix moyenne, Piano 2
Voix Tenor, Piano 2
Voix basse 1
Voix basse, Piano 1
Chorale SSAATB 1

+ 13 instrumentations

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Vents
Saxophone (partie séparée) 44
Flûte traversière et Piano 34
Clarinette et Piano 31
2 Flûtes traversières (duo) 30
Clarinette 26

Flûte, Hautbois, Clarinette, Basson 25
Flûte traversière 23
Hautbois (partie séparée) 22
Quatuor de Saxophones: 4 saxophones 20
Hautbois, Piano (duo) 20
Saxophone Alto 19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 18
Saxophone Alto et Piano 17
Quintette de Saxophone: 5 saxophones 16
Saxophone Soprano et Piano 16
Ensemble de Flûtes 15
Saxophone Tenor et Piano 14
Quatuor de Clarinettes: 4 clarinettes 14
Flûte et Guitare 14
Saxophone Baryton, Piano 13
Clarinette, Violon (duo) 11
2 Saxophones (duo) 11
2 Clarinettes (duo) 11
Clarinette (partie séparée) 9
3 Clarinettes (trio) 9
Flûte à bec Soprano 7
Ensemble de Clarinettes 7
Flûte à bec Tenor 6
Flûte, Clarinette (duo) 6
Flûte à bec Alto 5
Saxophone, Clarinette (duo) 5
Cor anglais, Piano 5
2 Hautbois (duo) 5
Clarinette, Guitare (duo) 5
2 Flûte à bec (duo) 5
Flûte, Violon 5
Quintette de Flûte : 5 flûtes 4
Clarinette, Trompette (duo) 4
Ensemble de saxophones 4
Flûte, Violoncelle, Piano (trio) 4
Quatuor de Flûtes : 4 flûtes 4
Flute (partie séparée) 2
Clarinette Basse, Piano 2
Flûte, Alto (duo) 2
Hautbois, Clarinette (duo) 2
Clarinette et Alto 2
Flûte, Trompette (duo) 2
Trio de Flûtes: 3 flûtes 2
Flûte à bec Soprano, Piano 2
Quatuor de Flûtes à bec 2
Flûte, Violon, Piano 2
2 Clarinettes, Piano 2
5 Flûtes à bec 2
Hautbois, Basson (duo) 1
Ensemble De Flûte à bec 1
Flûte, Hautbois, Clarinette (trio) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Saxophone Tenor 1
Flûte, Harpe et Violoncelle 1
Harmonica 1
Flûte et Trio à cordes 1
Hautbois 1
Hautbois, Guitare (duo) 1
Piccolo 1
2 Flûtes traversières, Piano 1
Flûte à bec Alto, Piano 1
Cor Anglais 1
Saxophone et Orgue 1
2 Hautbois, Piano 1
Flûte, Saxophone (duo) 1
Flûte à Bec 1

+ 66 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 30
Trombone et Piano 24
Quatuor de Cuivres : 2 trompettes, trombone, tuba 23
Trompette, Piano 21
Trombone 19

Trompette 18
Cor et Piano 16
Cor 15
Quatuor de cuivres: 4 trombones 14
Trompette (partie séparée) 12
Tuba 11
Quatuor de Cuivres: 2 trompettes, Cor, trombone 9
Trio de Cuivres 8
Tuba et Piano 8
Trombone (partie séparée) 7
Cor anglais, Piano 5
2 Trombones (duo) 5
2 Trompettes (duo) 5
Cor (partie séparée) 4
Ensemble de Trombones 4
Euphonium, Piano (duo) 3
Ensemble de Trompettes 3
Trompette, Trombone (duo) 3
Tuba (partie séparée) 2
2 Tubas (duo) 2
2 Euphoniums et 2 Tubas 2
2 Cors (duo) 2
Quatuor de Cuivres 2
Bass Clef Instruments 1
Trombone basse et Piano 1
Trompette, Saxophone (duo) 1
Euphonium 1
2 Cors, Piano 1
Cor Anglais 1

+ 29 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 124
Violon et Piano 37
Violon 34
2 Violons (duo) 26
Violoncelle, Piano 24

Harpe 21
Violoncelle (partie séparée) 20
Alto, Piano 18
Violon, Violoncelle (duo) 17
Quintette à cordes: 2 violons, alto, violoncelle, basse 15
Trio à Cordes: violon, alto, violoncelle 15
Alto seul 12
Alto (partie séparée) 10
Contre Basse 10
Trio à Cordes: 2 violons, violoncelle 9
Contrebasse, Piano (duo) 8
2 Altos (duo) 8
2 Violoncelles (duo) 8
Violoncelle 8
Violon (partie séparée) 6
Contrebasse (partie séparée) 5
Violon, Alto (duo) 5
2 Harpes (duo) 3
Harpe, Voix 3
Ensemble de Violons 3

Trio à cordes: 3 violins 3
2 Altos, Piano 2
Trio à Cordes: 3 violoncelles 2
4 Violoncelles 1
Ensemble d'Altos 1
Harpe, Flûte (duo) 1
Alto, Violoncelle (duo) 1
Violon, Tuba (duo) 1
Quatuor à cordes: 4 violons 1
Harpe, Violon (duo) 1

+ 30 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 67
Orchestre 41
Orchestre à Cordes 28
Ensemble de cuivres 25
Orchestre de chambre 24

Ensemble Jazz 21
Ensemble de Percussions 18
Fanfare 8
Jazz combo 6
Percussion (partie séparée) 6
Batterie 6
Cloches 4
Marimba 3
Batterie (partie séparée) 3
Big band 2
Percussion 2
Timbales 1
Xylophone, Piano 1
Vibraphone 1
Timbales (partie séparée) 1
Quintette à Vent 1

+ 16 instrumentations

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Autres
Formation musicale - Solfège 1

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I See You

Ensemble de Violons

Partitions à imprimer

3 partitions trouvées

O Christmas Tree (G) (Violin Quintet)

O Christmas Tree (G) (Violin Quintet) #Ensemble de Violons #INTERMÉDIAIRE #Noël #German Folk Song #Regis Bookshar #O Christmas Tree #Regis Bookshar #SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813955 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multi...(+)

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813955 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 8 pages. Regis Bookshar #6632167. Published by Regis Bookshar (A0.813955). Violin Quintet - Intermediate - . This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Violin Quintet, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.

$5.00 ≈ 4.66€

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet) #Ensemble de Violons #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...(+)

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated: I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony: I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.

$15.00 ≈ 13.99€

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